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Opera of the Future, under the leadership of composer Tod Machover at the M.I.T. Media Laboratory, explores concepts and techniques to help advance the future of musical composition, performance, learning, and expression. The mission of this blog and website are to take you inside Opera of the Future’s creative process of bringing new works of music into the world. Please subscribe to this blog to receive email alerts about our latest postings, event updates and activities.

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Schoenberg in Hollywood, commissioned by the Boston Lyric Opera, premiered in Boston in November of 2018. Next performance in April, 2023, in Vienna, Austria.

Gammified – commissioned by the Kronos Quartet – is based on MIT neuroscience research showing that audio and visual signals in the 40 Hz. range can stimulate the brain in diverse ways, reverse brain amyloid (in mice), and may be a potential treatment for Alzheimer disease. The Kronos Quartet premiered the work at the MIT Media Lab in April 2023. Watch archived live-streamed video of the premiere performance and discussion (starts at 6:35), and listen to an audio excerpt of Gammified here.

 

Philadelphia Voices, commissioned by the Philadelphia Orchestra, was premiered in April 2018 at Philadelphia’s Kimmel Center and New York’s Carnegie Hall.

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Check out this new interview with Tod Machover from Musical America’s “unscripted series. It’s a light-hearted, informal chat about musical influences, unusual projects, and behind-the-scenes stories.

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Chomsky Suite (2011) was composed by Tod Machover for Noam Chomsky and the Kronos Quartet as part of the FAST Festival in celebration of MIT’s 150th anniversary. It was premiered at MIT’s Kresge Auditorium on April 11, 2011 during the Festival’s New Music Marathon, curated by Evan Ziporyn. Machover says of the work: “I was …

Machover streaming

在中国用什么浏览器访问外国网站最快-ZOL问答:搜狗的右下角“加速器”里有全网加速功能,不过适用于国内的不同网络环境互访。自己添加伋理的话需要安某些软件,或在搜狗的菜单-工具-搜狗高速浏览器选项-网络连接-自定义伋理。

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For additional music with video, see Video. For press reviews of music, see Buzz

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  • Quattro Mani (Bridge 2017)
  • Death and the Powers (DVD, Hanoa 2015)
  • …But Not Simpler… (Bridge 2011)
  • Hyperstring Trilogy (Oxingale 2003)
  • 如何连上外国网 (Opera; Albany 2002)
  • 教你如何在Windows7下架设VPN服务器--IT--人民网:2021-6-7 · 基本在搜索引擎里面搜索Windows7VPN,出来的教程都是关于如何在Win7里面建立VPN连接的,今天本文所讲的则是:如何在Windows7下架设VPN服务器,对头,让别人来连接你:)当然,很 – Boston Camerata (Erato 1997)
  • Bounce (Bridge 1994)
  • 怎么连接外国网络 (Bridge 1990)
  • VALIS (Opera; Bridge 1988) – New York Times Best CD of the Year
  • Spectres (Bridge 1986)
  • Music of Tod Machover “Light”, “Soft Morning, City” (Reissue of Composers Recordings 1984)

Continue reading “Music”

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Tod Machover is Musical America’s 2016 Composer of the Year

“Death and the Powers” a Finalist for 2012 Pulitzer Prize in Music

Buzz from the world premiere performances of Schoenberg in Hollywood

The New York Times on “Cheesesteak at Carnegie Hall”

“Death and the Powers doesn’t point the way to a new era of opera. It’s there. Now.” – Philadelphia Inquirer

“Schoenberg in Hollywood works splendidly as theater, and as an opera whose score allows its clever libretto to work its magic, seems likely to follow Machover’s previous successes.” – Keith Powers, Classical Voice North America

“…Machover, voluble and friendly in person, confounds expectations. Valis, based on a science-fiction novel by Philip K. Dick and dubbed “the first opera of the twenty-first century,” now sounds anything but scary, and his last three operas, Resurrection, Skellig and Death and the Powers, have rare emotional depth. Machover, now a fully mature composer, is unafraid of harnessing the old-fashioned powers of opera, unafraid of sentimentality, unafraid of C major.” — Philip Kennicott in Opera News, October 2013

“Machover is a remarkable composer.  [His] technological inventions in giving to sounds, through electronics, new sonorities, new eloquence, have been widely and amply acclaimed.  But I’d like to stress what a good opera composer he is, bringing the ‘traditional’, necessary skills to a far from traditional work. Machover has a command of expressive vocal gesture.  He sets words sensitively, with a feeling for the natural weight, stress and length of syllables rare today.  Voices and instrumental/electronic sound are well balanced.  The final duet is a moving modern addition to the great line of father-daughter exchanges: Boccanegra-Amelia, Rigoletto-Gilda, even Wotan- Brünnhilde.  This was a grand, rich, deeply serious new opera, presented by a team with manifold coherent accomplishments.” — Andrew Porter in Opera Magazine January 2011

Continue reading “Press”